She performed on stages across continents. She danced. She married into Indian royalty. Elsie Caroline Thompson arrived at Kew Mental Hospital carrying a life the institution had no vocabulary for and died there in 1967, largely forgotten.

The Dancing Maharani holds the tension between a draped figure and an electroshock therapy chair, between what Elsie was celebrated for and what she was subjected to. It asks how quickly a world forgets a woman it once applauded, and what remains of a self when the curtain, finally falls.